#Linhof technika iv update#
#Linhof technika iv full#
#Linhof technika iv professional#

Not so much on extended, but I did a couple of times when closing the camera up. The one thing I noticed is that you can easily lose the connection to the rails with the front standard and bellows if you arenвЂ™t careful. Like press cameras, you do need to drop the bed if using a 90mm lens and thereвЂ™s even a second dropped position for an even wider 75mm lens. And if youвЂ™re familiar with setting up a press camera such as a Crown Graphic, you will have no trouble getting the Technika up and ready to take photos. Linhoff Technika V вЂ“ Nikon Nikkor-W 180mm 1:5.6 вЂ“ Kodak Tri-X 320 ASA-200 вЂ“ Blazinal (1+50) 9:00 20C Linhoff Technika V вЂ“ Schneider-Kreuznack Symmar 1:5,6/150 вЂ“ Kodak Tri-X 320 ASA-200 вЂ“ Blazinal (1+50) 9:00 20CДЄt first glance, the camera appears to be just another press camera, compact shape, swing down the front bed, and a rangefinder. And today you can still purchase the Technika V, or as itвЂ™s called today the Technika 2000. The V and the Master became the new industry standard that built on and improved on everything produced throughout the III and IV. That same year Linhof introduced the Technika V, the only major difference between the IV and the V is that the V finally included standardised rangefinder cams. Production of the original IV lasted until 1964, an improved version introduced in 1963 continued production until 1976. The IV also introduced the standard Technika lens board. An improved Graflok back allowing the use of Polaroid and Packfilm backs.

#Linhof technika iv full#

A simplified rangefinder cam (although you could not use the cams from the III on the IV) that allowed for full coupling of lenses between 75mm and 360mm.

#Linhof technika iv update#

A major update from the III, the IV had improved and simplified front standard that introduced swing movements and the use of centre-tilt lenses.

In 1956 Linhof introduced the Technika IV. Linhoff would go on to produce five varients of the III throughout its decade long production run. The III ran circles around its contemporary press cameras. Rounding out the III was an all-metal body that could take hits and remained quick and easy to setup. And with the rangefinder, you could swap out the cams easily to allow you to adjust the focus to match the focal length of your lens. The III had movements in both the front and rear standards, a rotating back, and a rangefinder.

#Linhof technika iv professional#

In 1946 the Technika III was released and showed the world exactly what a professional camera could be. But these two cameras were simply proof of concept on what a professional camera was and provided the foundation for the iconic follow-up. It wouldnвЂ™t be until 1934 that the original Technika saw the release and was quickly followed up by the Technika II. And while the Linhof company saw its start as a camera shutter manufacturer in the late 19th-Century, they got into the camera production market in the first decade of the 20th.

The idea and concept of an all-metal precision camera came from Linhof they are the original and remain the industry standard. Lens: Interchangeable, Linhoff Technika Boards Thanks to James Lee for loaning out not only the camera but a couple of lens for a review. And while I certainly messed up in playing a bit too much with some movements, in general, it is an amazing camera to operate. And while a Technical camera does not have the same freedom of movement as a monorail that is not physically possible, it comes pretty close. The Linhof Technika V is a beautiful precision piece of equipment. IвЂ™ll admit I had some trouble with the Technika there is something to say about a fantastic tool. And while a camera is just a camera, and is only as good as the photographer who uses it. When it comes to large format cameras, certain ones stand out as masters in their field.